"Lifegame" was originally called "How it was". It has a very simple central idea. To talk to someone about their life, improvise scenes based on the stories they tell, find out "How it was" and maybe as we are watching remember how it was for us.
At the beginning of rehearsal we spent 5 days working with Keith. He has tried to tell us some of the things he has learnt whilst trying to complete the format of Lifegame. Keith says that it is an unfinished form, he still does not know how to do it. Nor do we. But with your help perhaps we can create a new sort of theatre together as we try to find out "How it was?". No two nights will be the same as each show will be about a different person's life; their memories, experiences and perhaps sometimes about their dreams and aspirations.
At the time of writing we are two weeks into rehearsal. We are already excited about the things we have discovered: the joy of someone remembering something before our eyes perhaps for the first time in years. The thrill of storytelling in a theatrical space charged with both the mystery of the unknown and a curiosity and desire to know about each other. However, this still feels like the beginning of an exciting journey and as with all Improbable shows, we will only really begin to know what this show is like when you the audience turn up and see the show.
As Keith said to us: "If theatre did not exist then perhaps this would be a good place to start if we wanted to invent it from scratch."
Phelim McDermott, March 1998
Each night Improbable's creative team take the bare bones of someone's story and transform them into a magical piece of theatre.
Dynamic theatrical biography combines with storytelling, live music and object animation to dramatise the details of a life.
Following on from the extraordinary international success of 70 Hill Lane, which transferred to New York and won several major awards, Lifegame once again brings together the three Artistic Directors of Improbable Theatre, Phelim McDermott, Julian Crouch and Lee Simpson.
"A will to enlarge the language of theatre that is thrilling to behold and essential to absorb." - The Financial Times
"An unbeatable team... probably the most wildly talented directors at work in this country." - The Guardian
"An extraordinary and truly enchanting piece of work." - The New York Times
"Completely stunning, a work of genius." - New York Post.
Music:
Olly Fox
Direction:
Phelim McDermott and Lee Simpson
Design:
Julian Crouch
Lighting Design:
Colin Grenfell
Consultant Director:
Keith Johnstone
Producer:
Nick Sweeting
Administrator:
Ghislaine Granger
Press:
Sharon Kean Associates
Graphics:
Steve Williams and Julian Crouch